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I Could Get Used to This

by Spring Silver

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cbeiter
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cbeiter Catchy and memorable, alternating between melodic power pop to grinding metal from one second to the next second, Spring Silver have alchemized a new sound while echoing something familiar. Fans of Queens of the Stone Age or Ted Leo could find something rewarding here. Little Prince is the standout, but don’t stop there. Favorite track: Little Prince.
m_t_signifier
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m_t_signifier Such a great, defiant Bounce to everything! Often reminds me of the Shins, vocally and in the harmonic & rhythmic strategies (this is a good thing). "Strength" indeed. Favorite track: Call It Strength.
VetsFetchin'
VetsFetchin' thumbnail
VetsFetchin' This LP is 38 mins vs the 62 of The Natural World yet scales nothing back. Each track shows expansion and distillation in a way that I don’t remember any other artist being able to do. Rock isn’t safe & we should get used to this.

In a word: Yes Favorite track: I Saw Violence.
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1.
He lives in a chateau On an asphalt puzzle That burdens its runoff On the historical district Nestled in the valley Now sunk into mud as the thunderstorms continually grow Is this not enough? You spoiled little prince Wipe that solemn look off your face He exists in silence ‘Til he's all alone What would his family think Were they to somehow know Suck it up Where you can find it Affection, community, tenderness Is this not enough? You spoiled little prince Wipe that solemn look off your face Suck it up Where you can find it Affection, community, tenderness You can't suffer like this You poor Little Prince I won't allow it I'll hold you so tight It'll squeeze the tears out of your eyes ‘Til they're dry
2.
Fetch 03:24
I was buying a tarte au riz At a family owned bakery Stuttering french to the sympathetic smile behind the glass case bejeweled with confections When the rope around my waist Yanked me through the window Smashing the store front When the rope around my waist Yanked me through the window Smashing the store front I was dragged along the cobblestone Through and beyond the countryside I was met by Atlantic breath I was skipped on waves At the whims of the ocean I was battling crests and fetch Smashing my body, smashing my face I was battling crest and fetch I was battling crest and fetch Until finally, your loving arms I met Bruised and bloodied, but still your pet
3.
O alma, I saw a man engage In the civil debate of a fist to the face And the police struck while the iron was hot They struck it right from the record They swiped the blood on the sidewalk with wite-out Cover up assaults with pamphlet-ready smiles Private facility with pamphlet-ready style O Free Man, you pledged to cultivate a better state Than the one Bull Connor grabbed you by the collar in But maybe you felt the power in his grip And thought you’d get a grip of your own
4.
Outside it’s 75 degrees and cloudless skies, but so what? It’s daring me to suffer my internal woes, but so what? I have my feelings on the matter, but que sera sera Wasn’t adequately prepped for a day this nice But so what? I've already cut all of my losses, but so what? I've held my flinch for so long that’s it's locked in, but so what? I have my feelings on the matter, but que sera sera Sometimes it's easy And the day reveals itself With a generous simplicity But sometimes, peace seem elusive Anger keeps me lucid Outside it’s 75 degrees and cloudless skies, so what? Sometimes, anger is the only thing that keeps me lucid, so what?
5.
At first glance I thought The most frightening thing In these narrow halls Was the blood red doors But with a closer look the condensation on the flesh tone walls is worse Who would coordinate A color scheme like this? And I wait here for what could be 2 minutes Or What could be 5 As Saymour makes his way from his wherever within to the door I'm afraid this time I may have been short with him My tone in my "hi" And he's a stroke victim And he's a stroke victim But when whoever dropped The blank looking package At the foot of the apartment, My mind jumped to bomb And it felt like a suspense film With me waiting so long In the flesh colored halls And the blood red doors Another day, the scheme's Been repainted to cool blues and greys But, with it came my look At the wherever within the door It felt like a horror film With me stepping in Beyond the cool hue of the Newly bandaged door There lay Saymour sprawled in filth A stench no match for my mask Beyond the APS’s reach Beyond his family’s care
6.
O Kristi 03:26
O Kristi You’re a jewel amongst the livestock You shine as if untouched by the pesticidal slough that is the Big Sioux If I were ever to be a human test tube Would it were for you Let me be your prized livestock Give me the fever so I may dream of you Let me be your prized livestock Give me the fever so I may dream of you Give me the medicine so my heart may break for you O Kristi Give me the freedom to kill Give me the freedom to hurt Put our beloved state on the map As the infection capital of earth Let me be your prized livestock Give me the fever so I may dream of you Give me the medicine so my heart may break for you What’s a few bodies If business is booming? The dead weigh light On a country girl’s shoulders
7.
Even after all this time I'm trying to figure out the case for you The case that’s pleaded in the corner of my skull People bet it all on love When they do they give up on themselves They reckon that they’re incomplete Even after all this time Even after all this time I'm trying to find a different case for you The old one’s breaking open in my mind while i sleep Like a punctured poison pouch People bet it all on love When they do they give up on themselves They reckon that they’re incomplete Even after all this time They bet the earth on one person And yes there’s no one else What an insane notion And I’m not saying that that’s how I feel about you But if I am insane and so are they How can I tell the difference?
8.
Light Tread 02:35
9.
As you nestle into each other Lend me the gift of one another Nestled between crowded news sites and empty streets Lend me your languid forms slipping into your new routines Set up a camera and let me watch Worry not how I’ll get off A viewer from outside will do no harm Living alone can be so hard As your honeymoon stretches out Like two mirrors face to face When reason left, a divorcée Now, It’s only ever you two who are face to face Set up a camera and let me watch Worry not how I’ll get off A viewer from outside will do no harm Living alone can be so hard This whole world was designed For people you’ll never meet to get off So, if I can’t covet What have I? And if I can’t exploit What am I? Set up a camera and let me watch Worry not how I’ll get off A viewer from outside will do no harm Living alone can be so hard
10.
While my mother works in the rain To help the blind man find his way You work to impress your student Whose love you claim Do you remember all of the times you insulted us to our faces You made her believe that she might be going insane And now here you stand at the top of the stairs To ask for a hug from your kid So small and confused The ‘you’ you wanted hidden Your face, lifting weight just to hold back the tears The lesson you scorned into me An alien look on your face I’ve dreaded for years While my mother works in the rain To help the blind man find his way You work to impress your student Whose love you claim Do you remember all of the times you insulted us to our black faces A story so common It barely merits the page Men push their weakness on you And call it strength

about

Written and Produced by K Nkanza
Additional Production by Ananth Batni
Mixed by Ananth Batni and K Nkanza
Mastered by Dan Coutant

K Nkanza: Guitar, Vocals, Bass, Programming, Drums on "Little Prince", "Plead Insanity", and "Light Tread"
Ananth Batni: Tamborine, Vocals on "Little Prince", "Fetch", and "Call It Strength"
Matthew Gatwood: Drums on "Fetch", Piano on "Call It Strength"
Sam Goblin: Vocals on "Little Prince", "O Kristi"
Zig Coughlin: Vocals on "Fetch", "Call it Strength"
Dylan Baldi: Saxophone on "My Feelings on the Matter", "Call It Strength"
Harlow Diggs: Chiptunes on "Light Tread"
JB Fulbright: Cello on "Saymour's Stop"
Theo Hartlett: Drums on "Set Up a Camera"
Jian Soriano: Drums on "I Saw Violence"
Marco Saah: Drums on "O Kristi"
Jhariah Clare: Vocals on "O Kristi"
Bartees Cox Jr.: Vocals on "Plead Insanity"
Sadie Dupuis: Vocals on "Plead Insanity"
Kylan Hillman: Vocals on "Fetch"
Daniel Sohn: String Arrangements on "I Saw Violence", "Saymour's Stop", "Light Tread"
Strings: Holly Horn and Christine Banzon on Violin, Amelia Lamis on Viola, Alain Xiong-Calmes on Cello

credits

released March 4, 2022

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Spring Silver Silver Spring, Maryland

the wrong music for the wrong people

Contact: springsilverrocknroll@gmail.com

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